The Barrier (Fathy Farag)

No doubt, Mohamed Rady proved his efficient potentials to employ cinematic language, to express the theme he handles, many scenes witness his skill.

The camera movement is so sensitive, and sometimes compound. He depends on audible effects or tape of sound. In more accurate sense, to transfer to us his meanings with a deep sense, I don't want to miss emphasizing decore and accessories role, lighting in the film adopted a realistic style, in my view, it was necessary, correlated with music and actors performance.

Cinema club bulletin- fourth season 1970/71 no. 34



 




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